Shania Twain gave a rousing performance in Fort Lauderdale on June 1 in her Shania Now Tour. But the tour name is apropos if this is her last foray on the road, as she’s threatened.
SHADE-O-METER RATING
5 OUTTA 5 WERKS: “10s ACROSS THE BOARD – LEGENDARY STATUS”
Who’s Shania Twain? She’s a cross-over country/pop star, who’s one of the best-selling female country artists—if not the best-selling female artist—of all time. She’s also one of the best-selling female music artists of all-time.
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What’s the Shania Now Tour? It’s Twain’s fourth tour. Twain said on Good Morning America in 2015 that her next tour, which ended up being the Rock This Country Tour (her third tour), would be her last one. What is the BB&T Center? It’s an indoor sports an entertainment arena in Sunrise, Florida. It’s holds about 20,000 people.
How was the venue? It’s a nice venue. The staff is certainly more friendly at the BB&T than they are at, for example, the Au-Rene Theater at the Broward Center for the Performing Arts (one can encounter cranky ushers there). How was the parking? They have ample parking. The cost was included with the ticket.
Does the venue serve liquor? Yes. How were the drinks? A double whiskey was $19, and a double wine (which was really more like a triple) was $20. The drinks were fine. Does the venue serve food? Yes. How was the food? We didn’t get any.
How much were the tickets? $115. Where were the seats? On the first level and directly on the side. Was the show sold out? It was about three-fourth fill. Who was the opening act? Bastian Baker. How was the opening act? We didn’t see him during his solo set, but he did a duet with Twain during her set.
How was the show? It was apparent from the first moment that she was on the stage that there’s no one who’s more comfortable on the stage, or loves entertaining, more than Shania Twain. Although certainly not a novelty—but nevertheless, impactful—Twain opened the show by walking through the crowd, starting on the opposite end of the stage, before making her way to it. Twain then launched into a two-hour set, where she fluctuated through hits and lesser-known songs, which also featured an economy of performers, where they served different functions—sometime as an instrumentalist, sometimes as a dancer, and sometimes as a backup singer—in different numbers. Regarding the visual element, the show could have rivaled Cirque du Soleil in set changes, a proliferation of costumes, and theatrics. However, unlike some stars, where theatricality is strategically calculated to detract from the performer’s lack of aptitude, this was not the case with Twain—she’s the real deal. Twain also did a fair amount of chit chating, which, at times, bordered on rambling. In the hands of a less-skilled performer, it might have been irritating, but with Twain, it was actually endearing. Towards the end of the show, a la Cher in her last tour, Twain flew over the audience on a guitar case, but she actually one-upped Madam “Half-Breed” when she not only sung but accompanied herself on the guitar during the flight. Twain performed “Rock This Country” and the requisite “Man! I Feel Like a Woman” for her encore, before she was consumed by a snowstorm of confetti. And then, she was no more.
How was the crowd? Composed of more woman than men, and with a fair representation of the LGBT community. Strangely—and, I suppose, lazily—the crowd didn’t give as much as they took.
What could have improved the show? I would have said that the dancers should have done same-sex dancing, but there was no couple’s dancing of any sort, either gay or straight. The set design could have been a tad more varied.
What was surprising about the show? Although Twain was recently a guest judge on RuPaul’s Drag Race, and her image is certainly consistent as a LGBT ally, Twain still is a country star. And we all know that things are not as liberal in the country scene as they are in, for example, the world of pop music. Considering this, it was commendable that Twain subtly, but frequently, advocated the LBGT community with comments such as, “Things are getting better all the time,” “I love men” [with an obvious nod to gay men in the audience], and, the more flagrant, this song is “dedicated to guys who like men.”
The BB&T Center is located across the street from the Sawgrass Mills, at 1 Panther Pkwy., in Sunrise, Florida. The venue is only open when there’s an event.
What a lovely review Michael. You pay homage to a truly talented performer while still managing to stay true to your review ethic by honestly critiquing the venue and artist.