FRANK DECARO

Frank DeCaro has interviewed them all, from Mel Brooks to Robin Williams to Bea Arthur.  But on the heels of his new retrospective book about drag, what old job did DeCaro have that he said was a “real” drag? 

PHOTOGRAPH BY ERICA BERGER

If you had to live somewhere other than New Jersey or Los Angeles, where you would live?  I wish we still had a Manhattan apartment.  When I’m in New York City from morning until night—which happens a lot—there’s never anywhere to nap in the afternoon.  I miss that.  What’s special about L.A. that isn’t common knowledge? Not everyone knows that the best underground drag theater in L.A. is literally underground. It’s at the Cavern Club Celebrity Theater in the basement of a Mexican restaurant called Casita Del Campo in Silver Lake.  I’ve had more fun there than the law allows.  What’s the “interview that got away”?  Liberace.  When I get to hell, I hope he’s the first person I see.  Which interview is most special to you, and why?  Mel Brooks, because he’s my comedy idol.  And at the end of our chat he said, “No bullshit.  I really enjoyed this.”  My hour with Robin Williams was pretty special, too.  We compared our ridiculously hairy arms, and he said, “You’re wearing the Quest for Fire opera gloves, too!”  I loved talking with Bea Arthur, too.  She swore like a sailor, just as I hoped she would. 


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Who’s your dream interview?  I want to write a first-person piece called, “My Year of Living with Cher.”  What’s the most embarrassing thing that ever happened during an interview?  When I was doing my satellite radio show, Alan Arkin came on to promote his memoir, and then—when the red light went on—he decided he didn’t want to talk about it.  His publicist was mortified.  Other than Bob Mackie, who’s your favorite designer?  I wrote about fashion for many years, and I adored getting to know Gianni Versace, the man as well as the designer.  He was very funny and very big-hearted.  Franco Moschino was a hoot, too.  I shouldn’t pick only Italians, so, while I’m namedropping, I’ll say that Karl Lagerfeld and Jean-Paul Gaultier were always pistols to chat with.  But, yeah, Bob Mackie will always be my favorite.  The book he and I did together in 1999 is a real treasure.  Other than RuPaul, who’s the most important drag queen, and why?  The brilliant playwright and actor Harvey Fierstein has done so much to not only entertain audiences, but also to educate them.  Thanks to him—and Mama Ru—drag queens can be more authentically and gloriously themselves.  He’s a true LGBTQ icon and activist, and I love that we’re pals. 

PHOTOGRAPH BY ERICA BERGER

Which drag queen is the most underrated?  More people need to know about the great Charles Pierce.  He was an amazing female impersonator whose signature bit was Bette Davis and Tallulah Bankhead reading each other to filth.  He’d do them both at the same time!  He’d say things like, “You’re so old, you need moisturizer or wood filler!”  It was genius.  Do you think that drag is too commercial now, or is that a good thing?  No!  I love how mainstream drag is now!  It’s about time everyone got with the program.  But, thank heaven, there’s also plenty of subversive drag for the snatching, too.  You just have to look harder to find the really wigged-out stuff—but you should!  Which one of your old jobs least prepared you for what you do now?  My two-day stint at Burger King.  It was a real drag.  If God were to take you tomorrow, how would you like to be remembered?  As someone who was really funny and really smart and a really good kisser.  What do you want to live long enough to see?  Me, back on TV on a regular basis!  Will you ever retire?  No!  My work is too fun to ever retire.  Plus, there’s this pair of Gucci glitter sneakers…  What’s the weirdest question that a fan ever asked you?  In high school, a classmate asked if he could paint my nose.  Not on canvas, my actual nose.  He was not a fan. 

What other celebrity did you act like a “fan” around?  I was star-struck when I said “hello” to Michelle Williams last week at a Fosse/Verdon event.  She’s so fantastic as Gwen Verdon that I was in awe just to breathe the same air!  What’s the last thing that you looked at online?  My latest “Drag Moment of the Day” post!  I post them every day at @frankdecaroshow on every social media platform but Scruff.  What’s the best place that you’ve visited?  Hawaii.  And the Haunted Mansion at Disneyland.  What’s your favorite movie?  Imitation of Life—the 1959 Douglas Sirk version.  What drives you crazy?  A lack of curiosity, poor grammar, and bad teeth.  Not necessarily in that order.  Do you like zoos?  I like a good sample sale.  They can be a real zoo.  What’s something that you learned in life only when you got older?  That the only way isn’t up, it’s forward.  What did you learn from your parents?  My mother always said, “Nobody’s better than you, and you’re no better than anyone else.”  She was right.  Who’s your favorite performer?  Elton John.  What’s your best characteristic?  That the littlest things can bring me total joy.  How do you enjoy spending your time?  Laughing.  What celebrity do you have crush on?  Idris Elba.  I’d like him to you-know-what me in half. 


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If you’ve ever fantasized about feasting on Frank Sinatra’s Barbecued Lamb, lunching on Lucille Ball’s “Chinese-y Thing,” diving ever-so-neatly into Joan Crawford’s Poached Salmon, or wrapping your lips around Rock Hudson’s cannoli – and really, who hasn’t? – hold on to your oven mitts!

Whom do you admire?  My husband, Jim Colucci.  He’s the author of Golden Girls Forever, and just a swell guy.  And my drag mother, Bruce Vilanch.  If you could bring one person back from the dead, who would it be?  Divine.  Where would you go in a time machine?  The Shrine Auditorium in Los Angeles on March 29, 1989.  I want to be in the room when Rob Lowe and Snow White sing their duet together on the OscarsWhat’s your favorite recipe?  Bucatini pasta with garlic, anchovies, and breadcrumbs. It’s my best dish, although my chocolate chip cookies with pecans and Heath Bar chips rock, too.  What would your last meal be?  A double Shack Burger, fries, and a Concrete from the Shake Shack.  What are you afraid of?  Stupid people in positions of power.  If you were a musical instrument, what would you be?  A kazoo.  Who are you closest with?  My husband, my dog, and my “wife.”  What’s on your bucket list?  Seeing the Taj Mahal and the Sydney Opera House in person.  What’s your greatest regret in life?  Not learning to tap dance or speak fluent Italian—yet.  What’s something secret about you that people don’t know?  I find doing laundry extremely satisfying.  Where can we see you?  On my social media platforms, on my website, and at book signings!

 

MICHAEL TRONN – PART 1

In a two-part exclusive, founding club kid, artist and promoter Michael Tronn tells us what South Beach was like before the Versace era, before letting us into the elite world of some of New York’s and Miami’s hottest clubs

PHOTOGRAPH BY NATALIE CAROLE

Where did you grow up?  In New York, across the street from The Metropolitan Museum of ArtHow long have you lived in South Florida?  I moved here in 1997, but I was visiting here since about 90’ or 91’.  What was South Beach like then?  My first trip was fairly spontaneous, and I knew nothing about South Beach except that it was a cool, secret spot for New Yorkers and fashion people.  This was before Versace, before Lincoln Road—the place was virtually a ghost town.  Back then, the Versace mansion was a run-down apartment building for seniors.  Ocean Drive was lined with elderly people in plastic chairs sunning themselves with reflectors under their chins.  The only things that were going on then were photo shoots and some very hedonistic nightclubs, such as Warsaw and Paragon.  Why did you move here?  I decided that if I could get a good job at one of five companies that I was interested in, then I would move permanently—and I did.  Liquid hired me to be the new creative and marketing director, and I stayed in Miami from then on.  What part of South Florida do you live in?  When I’m in Miami, I live in South Beach.


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What do you like most about living here?  The ocean, the air, and the amazing memories that I have of South Beach’s heyday, such as the beginning of Wynwood.  Where do you hang out in South Florida, and why?  I don’t hang out at any one spot like I did in the past, but I find that Wynwood is the most interesting neighborhood.  In some ways, Churchill’s is my favorite.  What’s your claim-to-fame?  I was one of the co-creators of the “Club Kid” scene in New York.  That was in 1987.  I also promoted and/or launched many notable clubs in New York such as Tunnel, The World, the Red Zone, Mars, The Saint, Studio 54, Roxy and MK.  In Miami, I’m known as the director of Liquid, building and launching the Ice Palace Film Studios, launching Crobar and promoting ANTHEM Sundays there, opening the restaurants Rumi and Studio, and for having my own art space in Wynwood.  How did you come up with your name?  People think I made my last name up, but Tronn is an old Russian family name.  Whose fashion look do you admire, and why?  I much prefer style over designer clothes, and I always have.  My favorite style idol is Iris Apfel.  She’s 100 percent unique and real, and she dresses only for herself.

What’s your favorite place that you’ve lived?  It’s a tie between Miami from 1991 to 2006—there was never anything as amazing as that, and I don’t think there ever will be again—and New York in the 70s and 80s.  That period was New York’s golden age in so many ways.  What New York venues do you miss that are gone?  Palladium, The World, AreaDanceteria, Mother and Studio 54.  What are your favorite events that you’ve produced in New York, and why?  Well, I’ve produced over 1,000 events, but three New York events stand out: one, a hair-sculpture completion at Tunnel (we had salon tables in the basement… the creations were amazing).  Two, the opening night of the “It” party at The World (I had the entire first floor done in tin foil as a tribute to The Factory, the entire stairwell—including the floor—was painted with the sky and clouds as a tribute to Magritte, the top floor was designed and decorated red as a tribute to Diana Vreeland, and I had mountain climbers rappel down the face of the building while the crowd waited for the doors to open).  And, three, the opening Night of Crobar New York (the production was over-the-top, and we had 15,000 people).

PHOTOGRAPH BY TIM SCULLY

What South Florida venues do you miss that are gone?  Warsaw and Paragon.  Warsaw is a heartbreaking loss.  At least the site of the original Paragon became Level, and then Mansion [it closed in 2016].  But Paragon really is the best venue in Miami.  What are your favorite events that you’ve produced in Miami, and why?  Once again, there are three major standouts: the Grand Opening of Crobar, which was insane.  I had a $70,000 budget, and I staged a car wreck out in front with live models—people still talk about it today.  The “White Starz” party at The Coconut Grove Convention Center, where I not only transformed the entire space, but I had Yoko Ono perform in between the sets of Junior Vasquez and Tony Moran.  And “GUIDO” on Fridays at Liquid, which was in the VIP lounge.  We had immersive themes there each week, such as a “Bollywood” wedding, and it became the place for major fashion launches.

Stay tuned for PART 2 next week…