FRANK DECARO

Frank DeCaro has interviewed them all, from Mel Brooks to Robin Williams to Bea Arthur.  But on the heels of his new retrospective book about drag, what old job did DeCaro have that he said was a “real” drag? 

PHOTOGRAPH BY ERICA BERGER

If you had to live somewhere other than New Jersey or Los Angeles, where you would live?  I wish we still had a Manhattan apartment.  When I’m in New York City from morning until night—which happens a lot—there’s never anywhere to nap in the afternoon.  I miss that.  What’s special about L.A. that isn’t common knowledge? Not everyone knows that the best underground drag theater in L.A. is literally underground. It’s at the Cavern Club Celebrity Theater in the basement of a Mexican restaurant called Casita Del Campo in Silver Lake.  I’ve had more fun there than the law allows.  What’s the “interview that got away”?  Liberace.  When I get to hell, I hope he’s the first person I see.  Which interview is most special to you, and why?  Mel Brooks, because he’s my comedy idol.  And at the end of our chat he said, “No bullshit.  I really enjoyed this.”  My hour with Robin Williams was pretty special, too.  We compared our ridiculously hairy arms, and he said, “You’re wearing the Quest for Fire opera gloves, too!”  I loved talking with Bea Arthur, too.  She swore like a sailor, just as I hoped she would. 


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Drag celebrates the fabulous current and historical influence of drag, and its talented and inspiring performers.

Who’s your dream interview?  I want to write a first-person piece called, “My Year of Living with Cher.”  What’s the most embarrassing thing that ever happened during an interview?  When I was doing my satellite radio show, Alan Arkin came on to promote his memoir, and then—when the red light went on—he decided he didn’t want to talk about it.  His publicist was mortified.  Other than Bob Mackie, who’s your favorite designer?  I wrote about fashion for many years, and I adored getting to know Gianni Versace, the man as well as the designer.  He was very funny and very big-hearted.  Franco Moschino was a hoot, too.  I shouldn’t pick only Italians, so, while I’m namedropping, I’ll say that Karl Lagerfeld and Jean-Paul Gaultier were always pistols to chat with.  But, yeah, Bob Mackie will always be my favorite.  The book he and I did together in 1999 is a real treasure.  Other than RuPaul, who’s the most important drag queen, and why?  The brilliant playwright and actor Harvey Fierstein has done so much to not only entertain audiences, but also to educate them.  Thanks to him—and Mama Ru—drag queens can be more authentically and gloriously themselves.  He’s a true LGBTQ icon and activist, and I love that we’re pals. 

PHOTOGRAPH BY ERICA BERGER

Which drag queen is the most underrated?  More people need to know about the great Charles Pierce.  He was an amazing female impersonator whose signature bit was Bette Davis and Tallulah Bankhead reading each other to filth.  He’d do them both at the same time!  He’d say things like, “You’re so old, you need moisturizer or wood filler!”  It was genius.  Do you think that drag is too commercial now, or is that a good thing?  No!  I love how mainstream drag is now!  It’s about time everyone got with the program.  But, thank heaven, there’s also plenty of subversive drag for the snatching, too.  You just have to look harder to find the really wigged-out stuff—but you should!  Which one of your old jobs least prepared you for what you do now?  My two-day stint at Burger King.  It was a real drag.  If God were to take you tomorrow, how would you like to be remembered?  As someone who was really funny and really smart and a really good kisser.  What do you want to live long enough to see?  Me, back on TV on a regular basis!  Will you ever retire?  No!  My work is too fun to ever retire.  Plus, there’s this pair of Gucci glitter sneakers…  What’s the weirdest question that a fan ever asked you?  In high school, a classmate asked if he could paint my nose.  Not on canvas, my actual nose.  He was not a fan. 

What other celebrity did you act like a “fan” around?  I was star-struck when I said “hello” to Michelle Williams last week at a Fosse/Verdon event.  She’s so fantastic as Gwen Verdon that I was in awe just to breathe the same air!  What’s the last thing that you looked at online?  My latest “Drag Moment of the Day” post!  I post them every day at @frankdecaroshow on every social media platform but Scruff.  What’s the best place that you’ve visited?  Hawaii.  And the Haunted Mansion at Disneyland.  What’s your favorite movie?  Imitation of Life—the 1959 Douglas Sirk version.  What drives you crazy?  A lack of curiosity, poor grammar, and bad teeth.  Not necessarily in that order.  Do you like zoos?  I like a good sample sale.  They can be a real zoo.  What’s something that you learned in life only when you got older?  That the only way isn’t up, it’s forward.  What did you learn from your parents?  My mother always said, “Nobody’s better than you, and you’re no better than anyone else.”  She was right.  Who’s your favorite performer?  Elton John.  What’s your best characteristic?  That the littlest things can bring me total joy.  How do you enjoy spending your time?  Laughing.  What celebrity do you have crush on?  Idris Elba.  I’d like him to you-know-what me in half. 


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If you’ve ever fantasized about feasting on Frank Sinatra’s Barbecued Lamb, lunching on Lucille Ball’s “Chinese-y Thing,” diving ever-so-neatly into Joan Crawford’s Poached Salmon, or wrapping your lips around Rock Hudson’s cannoli – and really, who hasn’t? – hold on to your oven mitts!

Whom do you admire?  My husband, Jim Colucci.  He’s the author of Golden Girls Forever, and just a swell guy.  And my drag mother, Bruce Vilanch.  If you could bring one person back from the dead, who would it be?  Divine.  Where would you go in a time machine?  The Shrine Auditorium in Los Angeles on March 29, 1989.  I want to be in the room when Rob Lowe and Snow White sing their duet together on the OscarsWhat’s your favorite recipe?  Bucatini pasta with garlic, anchovies, and breadcrumbs. It’s my best dish, although my chocolate chip cookies with pecans and Heath Bar chips rock, too.  What would your last meal be?  A double Shack Burger, fries, and a Concrete from the Shake Shack.  What are you afraid of?  Stupid people in positions of power.  If you were a musical instrument, what would you be?  A kazoo.  Who are you closest with?  My husband, my dog, and my “wife.”  What’s on your bucket list?  Seeing the Taj Mahal and the Sydney Opera House in person.  What’s your greatest regret in life?  Not learning to tap dance or speak fluent Italian—yet.  What’s something secret about you that people don’t know?  I find doing laundry extremely satisfying.  Where can we see you?  On my social media platforms, on my website, and at book signings!

 

LA CAGE AUX FOLLES

SHADE-O-METER RATING

4 OUTTA 5 WERKS: “SHE GAVE GOOD FACE – SHE SERVED IT”

By Mike Jeknavorian

What’s La Cage aux FollesIt’s a musical from 1983, which is based on a French play of the same name.  Harvey Fierstein wrote the book, and Jerry Herman wrote the music and lyrics.  The show is a farcical comedy about a gay couple’s son that’s marrying into a conservative family.  The original cast starred Gene Barry and George Hearn as the couple.  The play was also turned into the American film, The Birdcage.


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Michel Serrault and Ugo Tognazzi star as two partners torn between cross-dressing and chaos!

What’s the Lauderhill Performing Arts Center (LPAC)?  It’s a new-ish theater in Lauderhill, Florida.  The theater holds over 1,100 people, and it opened in 2016.  It has two levels.  Also, the orchestra pit, which was at the front of the stage, was the biggest one that I’ve ever seen, ready to gobble up a performer—who took one wrong step—like some kind of theatrical version of The Mighty Sarlacc.

How was the venue?  The theater is nice enough, but, given its size, it’s more suited to big road shows or for big stars.  The lobby is probably its most impressive feature.  How was the parking?  Weird.  You’re directed to meander all around the back of the venue, just to get to a parking lot that’s directly to the right of the venue.  Why can’t you just turn right and drive into the parking lot?  In any case, parking is free.

Does the venue serve liquor?  Only wine.  How were the drinks?  Fine, I supposed.  One glass of wine, which was served in a plastic cup, was $7.  Does the venue serve food?  Only finger food and candy.  Strangely, they have someone peddling popcorn.  How was the food?  We didn’t get any.  How much were the tickets?  $48 each.  Where were the seats?  They were in the orchestra.  And any seat offers a good view.  I can’t comment on the view from the mezzanine.  Was the show sold out?  Not even close.

How was the show?  Regarding the book, it’s not quite as strong or as clever with the situational comedy as the original French film is (I never saw the play, so I don’t know about that).  This is the first production that the Stage Door Theater, the longstanding theater company in Broward County, has had at their new residence, the LPAC.  There are issues that have to be worked out with the audio, as the sound was cutting in and out at times.  There were also some problems with the costumes.  Some didn’t necessarily look of sufficient quality to be worn in the “hottest drag club on the Riviera,” and there was one number where the back of Zaza’s dress was either ripped or it wasn’t zipped up.  In addition, strangely, some of the Les Cagelles dances—which are supposed to be drag performers—appeared to be biological women.  But despite these minor complaints, the show was excellent.  The production shinned in the numbers that featured the leads, Larry Buzzeo as Albin/Zaza and Jamie Michael Parnell as Georges, with appropriate humor and chemistry between them.  What singing expertise Buzzeo may have lacked in some numbers, he made up for in the famous, “I Am What I Am.”  And although Parnell might have looked too young to play Georges, rarely will one hear a voice of this caliber outside of the walls of a first-rate Broadway show.  His numbers were hands-down the most enthusiastically received of the evening.  Elijah Word cleverly channeled the edginess of the leads from the hit TV show, Pose, with his characterization of the couple’s longsuffering butler/maid, Jacob.  Regarding the ensemble, they gleamed the brightest in “La Cage aux Folles,” with wild can-can-type dancing.

How was the crowd?  They appeared to consist primarily of season pass holders, and, not to be ageist, they were rather on the elderly side.  The company could probably stand to market to a younger demographic to even out the crowd.  What could have improved the show?  The audio needs to be fixed, and more attention needs to be paid to the costumes.  Regarding the venue, to each his own, but, to me, much of the production’s energy is gobbled up by the vastness of the house.  Maybe the runs should be shorter, in hopes that the theater would be fuller?  It’s a shame that they didn’t build another house that held about 400.

What was surprising about the show?  The quality of Parnell’s voice, the size of the cast (over 20), and the number of people in the live band (seven).

The Lauderhill Performing Arts Center is located at 3800 NW 11thPlace, in Lauderhill, Florida.  The production runs to September 23.